Requiem in Pace
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Stanley Kunitz' death, while not unexpected, hit me with great force, as I truly loved his restrained, well-crafted poems, which would often resemble an iron fist covered by a velvet glove. He was a poet of great hopefulness, gentleness, with a deep love of nature. Many of his poems confronted the suicide of his father, who died before his birth. This is especially poignant in the "The Portrait":
My mother never forgave my father
for killing himself,
especially at such an awkward time
and in a public park,
that spring
when I was waiting to be born.
She locked his name
in her deepest cabinet
and would not let him out,
though I could hear him thumping.
When I came down from the attic
with the pastel portrait in my hand
of a long-lipped stranger
with a brave moustache
and deep brown level eyes,
she ripped it into shreds
without a single word
and slapped me hard.
In my sixty-fourth year
I can feel my cheek
still burning.
Many recent admirers of Kunitz came from reading the last poem in his Collected Poems, "Touch Me," which ends:
What makes the engine go?
Desire, desire, desire.
The longing for the dance
stirs in the buried life.
One season only,
and it's done.
So let the battered old willow
thrash against the windowpanes
and the house timbers creak.
Darling, do you remember
the man you married? Touch me,
remind me who I am.
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Rest in peace, Stanley and Jaroslav.
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